Arabic: Film, media, rhetoric, literature and politics
Nathaniel Greenberg is an Associate Professor and head of the Arabic program at George Mason University. A comparatist by training with interests in contemporary cultural productions, politics and theory his books include How Information Warfare Shaped the Arab Spring: The Politics of Narrative in Tunisia and Egypt (Edinburgh University Press 2019), Islamists of the Maghreb (Routledge 2018) and The Aesthetic of Revolution in the Film and Literature of Naguib Mahfouz (1952-1967) (Lexington 2014), winner of the American Comparative Literature Association's Helen Tartar Award. Outside Mason, Greenberg serves as chair of the Translation/Publication Committee for the Society for Cinema and Media Studies. From 2015-2020 he was book review editor for the Journal of Arabic Literature. Prof Greenberg's research and training have been supported by grants from the US Department of Education, the Department of State, MITRE, the National Endowment for the Humanities and the Mathy Foundation. He is presently pursuing several lines of inquiry into the confluence of technology, ideology and power in the modern Middle East.
Language: French, Arabic, Spanish
New Media/Social Media
The battle for Libya
The Algerian uprising
New Arab cinema
How Information Warfare Shaped the Arab Spring: The Politics of Narrative in Tunisia and Egypt, Edinburgh University Press. 2019.
Islamists of the Maghreb (Jefrry R. Halverson co-author). London, U.K.: Routledge. 2018.
"Islamic State War Documentaries." The International Journal of Communication. 2020. Read: here
"Egypt's Post-2011 Embrace of Russian's Style Disinformation." The Middle East Report (MERIP). 2019. Read: here
"The Gates of Tripoli: Power and Propaganda in Postrevolutionary Libya." The African Yearbook of Rhetoric. 9. 2019. Read: here
"Russian Influence Operations Extend into Egypt." The Conversation. 12 Feb 2019. Read: here.
"Notes on the Arab Boom: Stasis and Dynamism in the Post-revolutionary Arabic Novel." Studies in the Novel. 51.2. 2019. Read: here.
"Ahmed Khaled Towfik: Days of Rage and Horror in Arabic Science Fiction." Critique: Studies in Contemporary Fiction. 57.2. 2018. Read: here.
"Mythical State: The Aesthetics and Counter-Aesthetics of the Islamic State in Iraq and Syria." The Middle East Journal of Culture and Communication. 10.2-3. 2017. Read: here.
"The Secret Organization" (1982), by Naguib Mahfouz. Banipal: Magazine of Modern Arab Literature. 58. 2017.
"Russia Opens Digital Interference Front in Libya." The Middle East Report Online. 4 Oct 2019. Read: here
"Deconstructing ISIS: Philippe-Joseph Salazar on the Aesthetics of Terror." Philosophy and Rhetoric. 52.3. 2019.
“Imararat Ya‘kubian,” Global Encyclopedia of Lesbian, Gay, Bisexual, Transgender, and Queer History. Ed. Howard Chiang et al. Charles Scribner’s Sons. 2018.
"Ideology as Narrative: The Mythic Discourse of Al-Qaeda in the Islamic Maghreb." The Middle East Journal of Culture and Communication. 10. Co-written with Jeffry R. Halverson. 2017.
"The Politics of Perception in Post-Revolutionary Egyptian Cinema." Arabic Literature for the Classroom. Ed. Muhsin J. al-Musawi. Routledge. 2017.
“Exit ISIS, Stage Left: Fighting for Laughs in Mosul and Beyond.” Jadaliyya. 16 Apr 2016.
“The Rise and Fall of Abu 'Iyadh: Reported Death Leaves Questions Unanswered.” Jadaliyya, 13 Jul 2015.
“History in the Making: Tunisia’s Revolution.” The Los Angeles Review of Books, 30 May 2014.
“Emergent Public Discourse and the Constitutional Debate in Tunisia: a Critical Narrative Analysis.” TelosScope, 4 Jan 2014.
"Naguib Mahfouz's Children of the Alley and the Coming Revolution." The Comparatist. 37. 2013.
“African Development Surge Could Play into AQIM Narrative.” COMOPS. 7 Mar 2013.
“The Arab Constitutions 2012: Chaos and Strategy.” COMOPS. 1 Dec 2012.
“Is the Ansar al-Shariah Crackdown a True About Face?” COMOPS. 26 October 2012.
“Muḥammad ibn Aḥmad Ibn Jubayr,” Arabic Literary Culture, Vol.1 (925-1350). Ed. Terri DeYoung. Wiesbaden: Harrassowitz. 2,500 words. 2012.
"Political Modernism, Jabra, and the Baghdad Modern Art Group." Comparative Literature and Culture. 12.2. 2010. Read here.
"War in Pieces: AMIA and the Triple Frontier in Argentine and American Discourse on Terrorism." A Contracorriente. 8.1. 2010. Read: here.
“Cairo Divided: Suspicion reigns as violence increases.” The Seattle Times. 3 Feb 2011.
“Chaos Comes to Cairo: Neighbors unite to keep the peace.” The Seattle Times. 31 Jan 2011.
“A Cairo Neighborhood Swept Up in Protest’s Fervor.” The Seattle Times. 29 Jan 2011.
“A People's Protest? The View from a Cairo Coffeehouse.” The Seattle Times, 28 Jan 2011.
Ph.D., Comparative Literature (2012) The University of Washington
M.A., Comparative Literature (2009) The University of Washington
C.E.L.TA., Certificate in English Language Teaching to Adults, Campbell College, Valencia, Spain.
B.A., Comparative Literature (2003) The City University of New York- Hunter College
"The Social Media Wars in Libya Revisited" (2019). The National Council on U.S.-Libya Relations. Rayburn House, U.S. Capitol. Washington D.C.
"Information Warfare and the Struggle for Democracy: WikiLeaks and the Arab Spring Revisited" (2019). Media in Transition. M.I.T., Cambridge, MA.
"The Social Media Wars in Libya" (2018). The National Council on U.S.-Libya Relations. Rayburn House, U.S. Capitol. Washington D.C.
"Caliphate: On the Communicative Aesthetics of the Islamic State Group" (2018). Center for Advanced Research in Global Communication. UPENN. Annual Symposium: "Mediating the Islamic State."
"From Futuwwa to Baltagiyya: Populism in Post-Revolutionary Egyptian Cineam" (2018). MLA. NYC.
"Ahmed Khalid Tawfiq and the Speculative Turn in Modern Arabic Fiction" (2017). NEMLA. Baltimore, MD.
"Mythical State: The Aesthetics and Counter-Aesthetics of the Islamic State in Iraq and Syria" (2016). Communication and Conflict. SOAS.